Map tracing #3 - NPL
Map tracing #4 - IN
Shilpa Gupta’s work for the Kathmandu Triennale links a clear formal language with the definite and complex issue of borders. Copper pipes are bent in the form of Nepal and India respectively . Both forms are site -specific, installed sculptures that move between two and three dimensions. By sculpturally transforming the borders of a country, the artist questions the notion of borders.
Shilpa Gupta (b.1976) lives and works in Mumbai, India where she has studied sculpture at the Sir J. J. School of Fine Arts from 1992 to 1997.
She has had solo shows at Contemporary Art Center in Cincinnati, Museum voor Moderne Kunst in Arnhem, Arnolfini in Bristol, Castle Blandy in France, OK Center for Contemporary Art in Linz amongst other institutions. She has had gallery solos with Gallerie Yvon Lambert in Paris, Chemould Prescott Road in Mumbai, Galleria Continua in San Gimignano, and at the public gallery, Lalit Kala Akademie hosted Vadehra Gallery, New Delhi.
Shilpa has been invited to the Younger Than Jesus Triennale at New Museum, New York; Lyon Biennale ‘09 curated by Hou Hanru; Gwangju Biennale ‘08 directed by Okwui Enwezor and curated by Ranjit Hoskote; Yokohama Triennale ‘08 curated by Hans Ulrich Obrist; Liverpool Biennale ‘06 curated by Gerardo Mosquera and biennales at Auckland, Seoul, Havana, Sydney and Shanghai.
Gupta's work has been shown in leading international institutions and museums such as the Tate Modern, Serpentine Gallery, Fondazione Sandretto Re Rebaudengo, Daimler Chrysler Contemporary, Mori Museum, Solomon R. Guggenheim Museum, New Museum, Chicago Cultural Center, Louisiana Museum and Devi Art Foundation in Gurgaon amongst others.